You’ve worked with André Øvredal a few times now, and you’ve worked with [“It” and “The Flash” director] Andy Muschietti a few times. When you worked with these directors over and over again, what kind of shorthand develops?
Well, they are so different. Andy Muschietti is more like non-stop repeating things because he’s all the time thinking of new things. And no matter what they shoot in 10 or 20 takes, if he thinks of something new that just he saw and can make work, we do another 20 takes. So it’s exhausting. But yeah, I’m so happy with that because I love … I am tired, it’s hard, but it doesn’t matter. I only want to make something that we will see after that and we are happy. So if we have time to repeat, let’s go, let’s go. But André, it’s more calm and it’s more relaxed. He has a vision, he is more comfortable with that. And we are not repeating so much like that.
It’s so different — more easy, maybe, with Øvredal. The good thing is when you’re working with a guy, you always see his previous movies. When you see “Trollhunter,” “The Autopsy of Jane Doe,” and “Scary Stories to Tell in the Dark,” [you see] that he’s doing good things. So you trust in him no matter the way he’s doing it. But it’s always good to work again with a director you already know. On every project, there’s a lot of new people, new actors, new team. It’s a lot of things you don’t know. So it makes you nervous because you need to confront a lot of problems till the moment you make everything work. But when you work with somebody that already knows, it’s easier to find the point. So for me, it feels comfortable to work with people that I already know and I felt comfortable with on the previous movies.
You said Dracula was your dream monster, but I know you have played Frankenstein’s monster on stage, so you have already got some of the big ones. Is there a monster or a creature that you dream about?
I would love to play another Dracula. I want to play more him in a more classic way, but it will be fine. It will be great. Well, I have a lot of dreams, a lot of dreams. I met Tim Burton last year. He was here in Madrid opening his museum [exhibit], a museum with all these drawings, and I was speaking with him, only just chatting, but it would be amazing to make a live-action Jack Skellington from “The Nightmare Before Christmas.” I already played Frankenstein in theaters here in a play, in a theater play, for more than one year. So it was good for me, because I wanted always to make the classic ones.
I wanted to play the Mummy. In the beginning, Andy Muschietti was close to [directing] “The Mummy.” The last “Mummy” we saw with Tom Cruise, in the beginning, was a very different project. And I was going to make The Mummy. After a lot of changes, the Mummy was a girl and I am in the movie, but only a very tiny second. I am Set, the Egyptian god. But yes, I would love to play a classic Mummy or a Frankenstein creature. I love more of the classics than the new ones. I enjoy the new ones, but as a guy that has made a living with monster performances for a long time, the classics are special, the one that everybody wants.
“The Last Voyage of the Demeter” sails into theaters on August 11, 2023.